{"version":"1.0","provider_name":"3e mill\u00e9naire - Spiritualit\u00e9 - Connaissance de soi - Non-dualit\u00e9 - M\u00e9ditation","provider_url":"https:\/\/www.revue3emillenaire.com\/blog","title":"Le zen et les arts : Architecture - 3e mill\u00e9naire - Spiritualit\u00e9 - Connaissance de soi - Non-dualit\u00e9 - M\u00e9ditation","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"cZakuz0pn6\"><a href=\"https:\/\/www.revue3emillenaire.com\/blog\/le-zen-et-les-arts-architecture\/\">Le zen et les arts : Architecture<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.revue3emillenaire.com\/blog\/le-zen-et-les-arts-architecture\/embed\/#?secret=cZakuz0pn6\" width=\"600\" height=\"338\" title=\"\u00ab\u00a0Le zen et les arts : Architecture\u00a0\u00bb &#8212; 3e mill\u00e9naire - Spiritualit\u00e9 - Connaissance de soi - Non-dualit\u00e9 - M\u00e9ditation\" data-secret=\"cZakuz0pn6\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.revue3emillenaire.com\/blog\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","description":"Le pavillon de th\u00e9 par Okakura Kakuzo Pour les architectes europ\u00e9ens, \u00e9lev\u00e9s dans les traditions de la construction en pierre et en brique, nos m\u00e9thodes japonaises, qui consistent \u00e0 utiliser le bois et le bambou, ne ressortissent que d&rsquo;assez loin \u00e0 l&rsquo;architecture. Ce n&rsquo;est que r\u00e9cemment qu&rsquo;un \u00e9minent sp\u00e9cialiste de l&rsquo;architecture occidentale a rendu justice [&hellip;]"}