{"id":16323,"date":"2014-09-20T13:09:53","date_gmt":"2014-09-20T12:09:53","guid":{"rendered":"http:\/\/www.revue3emillenaire.com\/blog\/?p=16323"},"modified":"2014-09-20T13:09:53","modified_gmt":"2014-09-20T12:09:53","slug":"les-clefs-des-symboles-lepee-ou-la-coherence-operative-de-lenergie-par-yves-albert-dauge","status":"publish","type":"post","link":"https:\/\/www.revue3emillenaire.com\/blog\/les-clefs-des-symboles-lepee-ou-la-coherence-operative-de-lenergie-par-yves-albert-dauge\/","title":{"rendered":"Les clefs des symboles : L&rsquo;\u00c9p\u00e9e ou la coh\u00e9rence op\u00e9rative de l&rsquo;\u00e9nergie par Yves-Albert Dauge"},"content":{"rendered":"<p align=\"justify\"><b><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\">L&rsquo;<\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\">\u00c9<\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\">p\u00e9e ou la coh\u00e9rence op\u00e9rative de l&rsquo;\u00e9nergie <\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\">par Yves-Albert Dauge<\/span><\/span><\/span><\/span><\/span><\/b><\/p>\n<p><span style=\"color: #000000;\"><span style=\"font-family: Times New Roman,serif;\">(Revue 3e Mill\u00e9naire. Ancienne s\u00e9rie. No 12. Janvier-F\u00e9vrier 1984)<\/span><\/span><\/p>\n<p align=\"justify\"><span style=\"color: #00000a;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Liberation Serif,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\">\u00c0 Premi\u00e8re<\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\"> vue, contrairement au symbolisme du feu ou du serpent, celui de l&rsquo;\u00e9p\u00e9e para\u00eet simple et de peu d&rsquo;envergure : signification guerri\u00e8re, s\u00e9paratrice, dia\u00efr\u00e9tique, axiale. Cependant, replac\u00e9 dans une th\u00e9orie g\u00e9n\u00e9rale de la circulation des <\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\">\u00c9nergies<\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\">, et gr\u00e2ce \u00e0 l&rsquo;apport de la tradition juda\u00efque et chr\u00e9tienne, ce symbole r\u00e9v\u00e8le une grande richesse et une utilit\u00e9 indubitable. L&rsquo;\u00e9p\u00e9e repr\u00e9sente la quaternit\u00e9 coh\u00e9rente, orient\u00e9e, flamboyante et op\u00e9rative ; elle compl\u00e8te tout naturellement nos trois \u00e9tudes pr\u00e9c\u00e9dentes.<\/span><\/span><\/span><\/span><\/span><\/p>\n<p align=\"justify\"><b><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\">Un arch\u00e9type divin : le T\u00e9tragramme-<\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\">\u00c9p\u00e9e<\/span><\/span><\/span><\/span><\/span><\/b><\/p>\n<p align=\"justify\"><a href=\"http:\/\/www.revue3emillenaire.com\/blog\/wp-content\/uploads\/2014\/09\/\u00c9p\u00e9e1.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-16324\" src=\"http:\/\/www.revue3emillenaire.com\/blog\/wp-content\/uploads\/2014\/09\/\u00c9p\u00e9e1.jpg\" alt=\"\u00c9p\u00e9e1\" width=\"186\" height=\"129\" \/><\/a><\/p>\n<p align=\"justify\"><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\">Ce qu&rsquo;on appelle le T\u00e9tragramme \u2013 redisons-le \u2013, c&rsquo;est le Nom divin de quatre \u00ab lettres-nombres \u00bb : Yod &#8211; H\u00e9 &#8211; Waw (ou Vav) H\u00e9 ( Y H W H), le Grand Nom de Dieu porteur des forces immenses et redoutables, qu&rsquo;il nous faut \u00ab sanctifier \u00bb (Mt. 6, 9), c&rsquo;est-\u00e0-dire reconna\u00eetre et utiliser comme saint, une puissance souveraine, transmutatrice, mais aussi dangereuse <a class=\"sdfootnoteanc\" href=\"#sdfootnote1sym\" name=\"sdfootnote1anc\"><sup>1<\/sup><\/a>. Or, il y a une relation entre Y H W H et l&rsquo;\u00e9p\u00e9e. On trouve en effet dans le Zohar cette formule capitale (III, 274 b) : \u00ab <\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\">L\u2019\u00c9p\u00e9e<\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\"> du Saint, B\u00e9ni soit-Il, est form\u00e9e du T\u00e9tragramme : le Yod en est le pommeau, le Vav la lame, les deux H\u00e9 les deux tranchants. \u00bb Annick de Souzenelle a bien d\u00e9cel\u00e9 l&rsquo;importance du symbole. Elle \u00e9crit, au d\u00e9but de son livre <\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\"><i>De l&rsquo;Arbre de Vie au sch\u00e9ma corporel<\/i><\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\"> (p. 25) : \u00ab Dans le Yod, le pommeau, se dessine la t\u00eate de l&rsquo;Homme, le front que touche le chr\u00e9tien lorsque, se signant, il nomme le P\u00e8re. Dans le Vav, la lame, appara\u00eet la colonne vert\u00e9brale qui coule les \u00e9nergies du P\u00e8re dans l&rsquo;\u00e9ternel engendrement du Fils. Dans les deux H\u00e9, les deux tranchants, se d\u00e9ploient les poumons que prolongent les deux bras et les deux mains de l&rsquo;Homme, que l&rsquo;Esprit emplit du souffle de Vie. Le T\u00e9tragramme r\u00e9v\u00e8le ainsi la \u00ab\u00a0structure divine\u00a0\u00bb dans son essence trinitaire, et la structure trinitaire de l&rsquo;Homme, son image. Il est l&rsquo;arch\u00e9type par excellence \u00e0 partir duquel \u00ab\u00a0Dieu se fait Homme pour que l&rsquo;Homme devienne Dieu\u00a0\u00bb&#8230; \u00bb Cette \u00e9p\u00e9e est donc tout \u00e0 la fois une figure de <\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\">l\u2019\u00catre<\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\"> divin et de son Nom, et une figure de l&rsquo;Homme Parfait ; et c&rsquo;est une confirmation que le T\u00e9tragramme \u00e9quivaut \u00e0 un sch\u00e9ma \u00e9nerg\u00e9tique. <\/span><\/span><\/span><\/span><\/span><\/p>\n<p align=\"justify\"><a href=\"http:\/\/www.revue3emillenaire.com\/blog\/wp-content\/uploads\/2014\/09\/\u00c9p\u00e9e2.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-16325\" src=\"http:\/\/www.revue3emillenaire.com\/blog\/wp-content\/uploads\/2014\/09\/\u00c9p\u00e9e2.jpg\" alt=\"\u00c9p\u00e9e2\" width=\"263\" height=\"246\" \/><\/a><\/p>\n<p align=\"justify\"><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\">Il y a l&rsquo;axe P\u00e8re-Fils (le Vav est un Yod prolong\u00e9 vers le bas), Ciel-Terre (cf. l&rsquo;Avatar), <\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\">Essence-\u00c9manation-Incarnation<\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\">, Kether-Malkhuth (<\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\">1er<\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\"> et 10e S\u00e9phiroth), etc., trajet descendant et ascendant de la Vie et de la Lumi\u00e8re, en absolue continuit\u00e9. Il y a les deux spirations de l&rsquo;Esprit, le double H\u00e9, qui sont l&rsquo;expression de ce qui se passe au centre : processus de g\u00e9n\u00e9ration et d&rsquo;unification, d&rsquo;invo\u00adlution et d&rsquo;\u00e9volution, de cristallisation et de solarisation, ou encore double pouvoir de la Gr\u00e2ce et de la V\u00e9rit\u00e9, de la Cl\u00e9mence et de la Rigueur, etc. In\u00e9puisable richesse de ces deux \u00ab tranchants \u00bb de l&rsquo;\u00e9p\u00e9e qui signifient aussi <\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\">bien la<\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\"> parfaite circulation des <\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\">\u00c9nergies<\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\">, la compl\u00e9\u00admentarit\u00e9 dialectique des courants inverses, et les manifestations oppos\u00e9es d&rsquo;une Force unique (cf. le \u00ab double effet \u00bb de l&rsquo;Amour divin, du Feu sacr\u00e9). Voil\u00e0 quelle est la coh\u00e9rence op\u00e9rative du Nom \u2014 qui est \u00e9galement notre Nom, ne l&rsquo;oublions pas \u2014, dans le jeu permanent du trois et du quatre, dans <\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\">l<\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\">a fermet\u00e9, la mobilit\u00e9 et l&rsquo;efficacit\u00e9 de sa structure souveraine.<\/span><\/span><\/span><\/span><\/span><\/p>\n<p align=\"justify\"><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\">Lorsque l&rsquo;auteur de l&rsquo;Apocalypse \u00e9voque, au d\u00e9but du livre, le \u00ab Fils d&rsquo;Homme \u00bb (ou Fils-Homme) dans toute sa gloire <a class=\"sdfootnoteanc\" href=\"#sdfootnote2sym\" name=\"sdfootnote2anc\"><sup>2<\/sup><\/a>, en tant que Dieu manifest\u00e9 et Homme transfigur\u00e9, il pr\u00e9cise (I, 16) : \u00ab De sa bouche sort une \u00e9p\u00e9e affil\u00e9e \u00e0 double tranchant. \u00bb L&rsquo;invraisemblance du symbole dispara\u00eet d\u00e8s qu&rsquo;on y per\u00e7oit le T\u00e9tragramme prof\u00e9r\u00e9 par le Fils pour provo\u00adquer la r\u00e9g\u00e9n\u00e9ration de l&rsquo;univers. On peut dire aussi qu&rsquo;il s&rsquo;agit du Logos pronon\u00e7ant dans sa v\u00e9racit\u00e9 et sa pl\u00e9nitude le Nom divin, pour appeler l&rsquo;Homme \u00e0 le reconna\u00eetre comme sien. Vers la fin du m\u00eame livre, appara\u00eet le Verbe combattant (XIX, 15) : \u00ab De sa bouche sort une \u00e9p\u00e9e ac\u00e9r\u00e9e pour en frapper les nations. \u00bb C&rsquo;est la puissance redoutable du Nom, qui dompte les t\u00e9n\u00e8bres et renverse les \u00ab \u00e9trangers \u00bb \u2014 tout en recr\u00e9ant la lumi\u00e8re et en b\u00e9nissant les \u00ab saints \u00bb ; triple aspect de l&rsquo;\u00c9p\u00e9e : exterminateur, salvateur, et \u2014 le principal \u2014 unificateur. Car, en ce monde, il faut dissocier pour unir. Le Christ Pantocrator se montre ainsi comme le Nom Vivant lui-m\u00eame ; l&rsquo;\u00e9p\u00e9e qui sort de sa bouche symbolise le pouvoir de discrimination, le feu qui aveugle ou illumine, tue ou transmue (cf. Deut\u00e9ronome 32, 39), la fulguration victo\u00adrieuse qui p\u00e9n\u00e8tre au <\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\">c\u0153ur<\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\"> des \u00eatres et des choses pour r\u00e9tablir la juste circulation des <\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\">\u00c9nergies.<\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\"> Un texte difficile de Luc nous parle encore de ce <\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\">Christ-\u00c9p\u00e9e<\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\">, comme \u00e9tant destin\u00e9 \u00e0 servir de \u00ab r\u00e9v\u00e9lateur \u00bb des <\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\">c\u0153urs<\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\"> et \u00e0 acc\u00e9\u00adl\u00e9rer les processus divergents en cours (<\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\">II<\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\">, 34-\u00ad35<\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\">)<\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\"> : Sym\u00e9on s&rsquo;adresse \u00e0 Marie : \u00ab Vois ! celui-ci est venu pour la chute et l&rsquo;\u00e9l\u00e9vation de beau\u00adcoup en Isra\u00ebl, et pour \u00eatre un signe controvers\u00e9 \u2014 d&rsquo;ailleurs ton \u00e2me elle-m\u00eame, une \u00e9p\u00e9e la traversera \u2014, de mani\u00e8re que puissent se r\u00e9v\u00e9ler les pens\u00e9es contradictoires de bien des <\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\">c\u0153urs.<\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\"> \u00bb C&rsquo;est l&rsquo;effet s\u00e9parateur qui est ici soulign\u00e9, la n\u00e9cessit\u00e9 <\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\">o\u00f9<\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\"> chacun se trouve de prendre parti selon l&rsquo;intime de son \u00eatre, mais cet effet est indispensable \u00e0 l&rsquo;accomplissement de la fonction unificatrice (apparente ambigu\u00eft\u00e9 de l&rsquo;\u00e9p\u00e9e). Pour ce qui est de Marie, le symbole sugg\u00e8re le \u00ab solve \u00bb annonciateur du \u00ab coagu\u00adla \u00bb.<\/span><\/span><\/span><\/span><\/span><\/p>\n<p align=\"justify\"><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\">Nous en arrivons \u00e0 l&rsquo;un des plus c\u00e9l\u00e8bres versets de la Gen\u00e8se (III, 24), celui qui relate le bannissement du couple d\u00e9chu : \u00ab Y H W H Elohim chassa l&rsquo;\u00eatre adamique ; puis il installa vers l&rsquo;orient du jardin <\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\">d\u2019\u00c9den<\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\"> les Kheroubim et la flamme de l&rsquo;\u00e9p\u00e9e tournoyante, pour garder la route de l&rsquo;Arbre des Vies. \u00bb La flamme de l&rsquo;\u00e9p\u00e9e tournoyante (ou : \u00e0 deux tranchants) n&rsquo;est autre que la vertu du Nom divin qui, enlev\u00e9e \u00e0 Adam, reste en possession des Kerou\u00adbim ; ces entit\u00e9s, \u00e0 la fois vivifiantes et d\u00e9vo\u00adrantes, Feu b\u00e9nisseur ou exterminateur, ne cessent alors de faire tourner le Nom comme une arme flamboyante : allusion au dynamisme \u00ab tourbillonnant \u00bb du T\u00e9tragramme, \u00e0 l&rsquo;activit\u00e9 du Logos en soi, rappel de la puissance de l&rsquo;Homme arch\u00e9type, indication de l&rsquo;aventure p\u00e9rilleuse qui sera la reconqu\u00eate de l&rsquo;Arbre des Vies (ou des Sephiroth). Tr\u00e8s curieusement, nous retrouvons cette m\u00eame image \u00e0 propos du mode de pri\u00e8re recommand\u00e9 par H\u00e9sychios de Batos <a class=\"sdfootnoteanc\" href=\"#sdfootnote3sym\" name=\"sdfootnote3anc\"><sup>3<\/sup><\/a> : \u00ab Ne cessons de faire tournoyer le Nom de Notre Seigneur J\u00e9sus-Christ dans les espaces de notre <\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\">c\u0153ur<\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\">, comme l&rsquo;\u00e9clair tournoie au firmament \u00bb (ce Nom est Y H Sh W H, Ieshouah, c&rsquo;est-\u00e0-dire Y H W H Dieu-Homme, la Quaternit\u00e9 centr\u00e9e sur nous). C&rsquo;est ce qu&rsquo;on appelle le secret des P\u00e8res du d\u00e9sert, le moyen de s&rsquo;assimiler aux gardiens du seuil (les Kherou\u00adbim) pour approcher l&rsquo;Arbre du Milieu : int\u00e9\u00adriorisation de l&rsquo;\u00c9p\u00e9e. Cette association entre \u00e9p\u00e9e \u00ab magique \u00bb et Arbre de Vie a d&rsquo;ailleurs si bien marqu\u00e9 la tradition qu&rsquo;on la d\u00e9couvre sous une forme assez \u00e9tonnante dans une <\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\">\u0153uvre<\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\"> comme <\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\"><i>la Morte d&rsquo;Arthur de Malory<\/i><\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\"> (XVII, 6\u00ad7) : le fourreau de l&rsquo;\u00ab \u00e9p\u00e9e de David et de Salomon \u00bb aurait \u00e9t\u00e9 fait en partie avec le bois de cet Arbre <a class=\"sdfootnoteanc\" href=\"#sdfootnote4sym\" name=\"sdfootnote4anc\"><sup>4<\/sup><\/a>&#8230; En ce qui nous concerne, nous discernons une analogie certaine entre l&rsquo;\u00e9p\u00e9e tournoyante qui garde l&rsquo;acc\u00e8s \u00e0 la source de Vie et le mouvement propre \u00e0 la \u00ab structure absolue \u00bb d&rsquo;Abellio, destin\u00e9 \u00e0 reconstituer l&rsquo;Homme axial : ce sont-l\u00e0 des expressions voisines de l&rsquo;art ch\u00e9rubinique (l&rsquo;art de manier l&rsquo;\u00e9p\u00e9e de Sagesse, de Lumi\u00e8re et de Vie, art \u00ab martial \u00bb par excellence !). Une derni\u00e8re remarque \u00e0 propos de notre verset : le mot \u00e9p\u00e9e, <\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\">&lsquo;<\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\">Ereb (cH R B), comporte les m\u00eames lettres que Horeb, le mont d&rsquo;Elohim o\u00f9 br\u00fbla le Buisson ardent et o\u00f9 se manifesta le Nom divin \u2014 montagne : une cime, un axe, deux versants \u2014 (Exode, III, 1 sq.) ; symboles \u00e9troitement compl\u00e9mentaires comme supports du T\u00e9tragramme et de son feu.<\/span><\/span><\/span><\/span><\/span><\/p>\n<p align=\"justify\"><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\">Une autre compl\u00e9mentarit\u00e9 est int\u00e9ressante \u00e0 examiner : celle de l&rsquo;\u00e9p\u00e9e et de la balance, car c&rsquo;est en fait le m\u00eame symbole sous deux aspects diff\u00e9rents, celui de la coh\u00e9rence victorieuse et celui de la circulation harmonieuse, ou encore celui de la sagesse discriminante et tout-accom\u00adplissante d&rsquo;une part, et celui de la sagesse discriminante et \u00e9quilibrante d&rsquo;autre part <a class=\"sdfootnoteanc\" href=\"#sdfootnote5sym\" name=\"sdfootnote5anc\"><sup>5<\/sup><\/a>. Lorsque les deux \u00ab objets \u00bb sont visibles en\u00adsemble, c&rsquo;est pour manifester une totalit\u00e9 dyna\u00admique, insister sur la pl\u00e9nitude de la divine Quaternit\u00e9. Ainsi le V<\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\">III<\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\">e Arcane du Tarot, \u00ab La Justice \u00bb, qui montre une \u00e9p\u00e9e et une balance, permet-il jusqu&rsquo;\u00e0 trois lectures du T\u00e9tragramme (dont le nombre-racine, rappe\u00adlons-le, est 8) : avec chacun des deux symboles, et avec la Lame enti\u00e8re (couronne = P\u00e8re ; \u00e9p\u00e9e = Fils ; balance = double Esprit). Ainsi saint Michel, Archistrat\u00e8ge et Archange <a class=\"sdfootnoteanc\" href=\"#sdfootnote6sym\" name=\"sdfootnote6anc\"><sup>6<\/sup><\/a>, est-il repr\u00e9sent\u00e9 avec l&rsquo;un et l&rsquo;autre objet ; et son nom est une question : \u00ab Qui (est) comme Dieu ? \u00bb (MY K hAL), dont la r\u00e9ponse est Ieshouah, J\u00e9sus (Y H Sh W H), car ces mots ont des num\u00e9rogrammes \u00e9quivalents (47.11.2 et 47.20.2). Confirmation par la Cabbale de la relation qui unit \u00e9p\u00e9e-balance et Nom divin. Ainsi l&rsquo;Alchimiste, dont le but est de r\u00e9aliser la Pierre philosophale \u2014 souvent assimil\u00e9e au Christ \u2014, est-il justement muni des deux symboles, explicatifs \u00e0 la fois de son art et de la transmutation recherch\u00e9e <a class=\"sdfootnoteanc\" href=\"#sdfootnote7sym\" name=\"sdfootnote7anc\"><sup>7<\/sup><\/a>.<\/span><\/span><\/span><\/span><\/span><\/p>\n<p align=\"justify\"><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\">Donc, \u00e0 partir de notre ex\u00e9g\u00e8se du <\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\">T\u00e9tragramme-\u00c9p\u00e9e<\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\">, de nombreuses valeurs du symbole sont venues s&rsquo;int\u00e9grer dans un ensemble coh\u00e9rent. Signification axiale : bip\u00f4le (P\u00e8re-Fils), <\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\">\u00c9clair<\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\"> s\u00e9phirothique, Arbre de Vie, Axis mundi, rayon solaire, etc. Signification dynami\u00adque : descente et mont\u00e9e des <\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\">\u00c9nergies<\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\">, incarna\u00adtion et assomption, tournoiement g\u00e9n\u00e9rateur d&rsquo;un champ de hautes fr\u00e9quences vibratoires, etc. Double effet d&rsquo;une unique Essence : perte et salut, destruction et cr\u00e9ation, rigueur et cl\u00e9mence \u2014 et pour une fin unique de pacification, de r\u00e9g\u00e9n\u00e9ration, d&rsquo;unit\u00e9 (cf. la double hache, la foudre, le vajra). Sch\u00e9ma \u00e9nerg\u00e9tique primordial : structure divine et Nom divin (Quaternit\u00e9 pure ou ax\u00e9e sur l&rsquo;Homme-Dieu) comme clef de transmutation. Parole-<\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\">\u00c9p\u00e9e<\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\"> : pouvoir du Nom prononc\u00e9, du Son, du mantra, de la formule. Faisceau indivisible d&rsquo;<\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\">\u00c9<\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\">nergies essentielles traversant tous les plans du r\u00e9el pour relier le Ciel et la Terre, le Divin et l&rsquo;humain, faire circuler la Vie et la Lumi\u00e8re, \u00e9veiller les \u00eatres \u00e0 eux-m\u00eames, acc\u00e9l\u00e9rer les processus \u00e9volutifs, et recr\u00e9er par solve et coagula. Fulguration r\u00e9v\u00e9latrice de <\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\">l\u2019\u00catre<\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\"> en action, du \u00ab Feu sage \u00bb (H\u00e9raclite), de la Loi cosmique, et de l&rsquo;arch\u00e9type th\u00e9andrique.<\/span><\/span><\/span><\/span><\/span><\/p>\n<p align=\"justify\"><b><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\">S\u00e9parer pour lib\u00e9rer, pour conna\u00eetre, et pour s&rsquo;unir<\/span><\/span><\/span><\/span><\/span><\/b><\/p>\n<p align=\"justify\"><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\">Ren\u00e9 Gu\u00e9non, dans <\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\"><i>Les Symboles fondamen\u00adtaux de la Science sacr\u00e9e<\/i><\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\">, remarque fort juste\u00adment : \u00ab L&rsquo;\u00e9p\u00e9e ne repr\u00e9sente pas seulement le moyen&#8230;, mais aussi la fin m\u00eame \u00e0 atteindre, et elle synth\u00e9tise en quelque sorte l&rsquo;un et l&rsquo;autre dans sa signification totale \u00bb (p. 201). Elle est \u00e0 la fois lutte pour la lumi\u00e8re et axe de lumi\u00e8re, instrument de paix et pl\u00e9nitude de vie. Es\u00adsayons de montrer, par quelques exemples pr\u00e9cis, comment s&rsquo;organise cet ensemble th\u00e9matique. \u2014 La discrimination lib\u00e9ratrice. Un texte de l&rsquo;\u00c9p\u00eetre aux H\u00e9breux pour illustrer cette fonction (IV, 12) : \u00ab Vivante est la Parole de Dieu, et efficace (energ\u00e8s), et plus incisive qu&rsquo;aucune \u00e9p\u00e9e \u00e0 deux tranchants, et p\u00e9n\u00e9\u00adtrante au point de s\u00e9parer l&rsquo;\u00e2me (psych\u00e8) de l&rsquo;esprit (pneuma), de mettre \u00e0 nu les articula\u00adtions et les moelles, et capable de juger entre penchants et pens\u00e9es du <\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\">c\u0153ur.<\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\"> \u00bb Ce verset est cit\u00e9 par Ananda K. Coomaraswamy au cours d&rsquo;un d\u00e9veloppement sur le th\u00e8me : mourir \u00e0 l&rsquo;\u00e2me pour na\u00eetre \u00e0 l&rsquo;esprit <a class=\"sdfootnoteanc\" href=\"#sdfootnote8sym\" name=\"sdfootnote8anc\"><sup>8<\/sup><\/a>, th\u00e8me aussi bien asiatique qu&rsquo;\u00e9vang\u00e9lique (cf. Lc. 14, 26 : \u00ab ha\u00efr \u00bb sa propre psych\u00e9). Il s&rsquo;agit de la valeur dia\u00efr\u00e9tique, purificatrice de la &lsquo;Parole, c&rsquo;est-\u00e0-dire de la Lumi\u00e8re-\u00c9nergie divine, qui doit n\u00e9cessairement \u00ab dissocier les mixtes \u00bb pour recr\u00e9er l&rsquo;homme <a class=\"sdfootnoteanc\" href=\"#sdfootnote9sym\" name=\"sdfootnote9anc\"><sup>9<\/sup><\/a>. Cette \u00e9p\u00e9e est \u00e0 deux tranchants, comme le Nom divin, ou l&rsquo;Amour suressentiel, avec les deux H\u00e9 op\u00e9ratifs ; <\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\">rappel au<\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\"> double effet de la Force qui rejette et rassemble, d\u00e9truit et vivifie. Ainsi la Parole, telle l&rsquo;\u00e9p\u00e9e, intervient-elle partout et toujours dans cet univers du m\u00e9lange et de la confusion pour \u00ab discerner les esprits \u00bb, s\u00e9parer nettement les mentalit\u00e9s, diff\u00e9rencier les niveaux ontologi\u00adques ; elle lib\u00e8re de leur gangue les \u00e9tincelles prisonni\u00e8res, r\u00e9unit tous les \u00e9l\u00e9ments \u00e9pars du Logos et du Soi pour les recharger d&rsquo;une \u00e9nergie sup\u00e9rieure (tout ce qui n&rsquo;est pas fou\u00addroy\u00e9 devient fulgurant), et leur permettre d&rsquo;irradier dans le monde sans plus \u00eatre d\u00e9grad\u00e9s par lui. Lutte pour la Lumi\u00e8re ?<\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\">axes de Lumi\u00e8re. <\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\">\u00c0<\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\"> rapprocher de ce logion fameux : \u00ab Je ne suis pas venu apporter la paix, mais l&rsquo;\u00e9p\u00e9e \u00bb (Mt. 10, 34). Non pas la vie calme, le bonheur terrestre (mentalit\u00e9 tellurique), mais l&rsquo;aventure p\u00e9rilleuse, l&rsquo;affrontement des vou\u00adloirs et des destins, la fulguration du Divin en lutte contre les t\u00e9n\u00e8bres. J\u00e9sus lui-m\u00eame est comme une \u00e9p\u00e9e flamboyante, plant\u00e9e par Dieu sur notre sol pour sauver ou perdre. Les versets.suivants (37-39) montrent comment agit cette \u00e9p\u00e9e de discrimination : elle oblige \u00e0 \u00ab se lever \u00bb pour choisir, \u00e0 passer par del\u00e0 la psych\u00e9 pour s&rsquo;unir \u00e0 Dieu, ou \u00e0 refuser l&rsquo;Esprit pour s&rsquo;enfoncer dans l&rsquo;obscurit\u00e9. Notons que, natu\u00adrellement, cette \u00e9p\u00e9e n&rsquo;a rien \u00e0 voir avec celle de la violence, mentionn\u00e9e en Mt. 26, 52 pour illustrer ce qu&rsquo;on appelle le karma.<\/span><\/span><\/span><\/span><\/span><\/p>\n<p align=\"justify\"><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"letter-spacing: normal;\">\u2014 <span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\">Volont\u00e9, lib\u00e9ration et connaissance sont \u00e9troitement li\u00e9es, et c&rsquo;est ce que fait ressortir le symbolisme qui nous occupe. Dans la Bhaga\u00advad-G\u00eet\u00e2, au chapitre intitul\u00e9 \u00ab La Voie de la Connaissance divine \u00bb, l&rsquo;instructeur d\u00e9clare (IV, 42) : \u00ab Ayant donc tranch\u00e9, par l&rsquo;\u00e9p\u00e9e de la sagesse, ce doute en ton <\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\">c\u0153ur<\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\"> n\u00e9 de l&rsquo;ignorance, aie recours au Yoga, \u00f4 Bh\u00e2rata (Arjuna), et l\u00e8ve-toi. \u00bb L&rsquo;\u00e9p\u00e9e signifie l&rsquo;orientation correcte de la volont\u00e9, l&rsquo;ouverture de l&rsquo;Intellect, l&rsquo;affran\u00adchissement des perplexit\u00e9s et des troubles de la psych\u00e9 : c&rsquo;est l&rsquo;irruption de la lumi\u00e8re dans le <\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\">C\u0153ur.<\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\"> Et telle est la condition pour s&rsquo;unir avec les <\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\">\u00c9nergies<\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\"> divines (Yoga) et disposer d&rsquo;une r\u00e9elle puissance op\u00e9rative. En fait, Arjuna et l&rsquo;\u00e9p\u00e9e de sagesse sont destin\u00e9s \u00e0 ne plus faire qu&rsquo;un. M\u00eame conception au V<\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\">Ie<\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\"> livre de l&rsquo;<\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\">\u00c9<\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\">n\u00e9ide : lors du voyage dans l&rsquo;au-del\u00e0 qui doit le mener \u00e0 l&rsquo;initiation, le h\u00e9ros est invit\u00e9 \u00e0 s&rsquo;avancer l&rsquo;\u00e9p\u00e9e tir\u00e9e. La Sybille lui dit en effet (v. 260-1) : \u00ab Et toi, <\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\">\u00c9n\u00e9e<\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\">, mets-toi en route, et sors le fer du fourreau : c&rsquo;est maintenant qu&rsquo;il faut de la vaillance, qu&rsquo;il faut un <\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\">c\u0153ur<\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\"> ferme. \u00bb Ce trajet va le lib\u00e9rer des illusions de la psych\u00e9, des perversions de la volont\u00e9, et lui donner acc\u00e8s \u00e0 la connaissance de <\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\">l\u2019\u00catre<\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\"> et de lui-m\u00eame : invuln\u00e9rabilit\u00e9, discernement, unification. D&rsquo;ailleurs, si l&rsquo;on s&rsquo;en rapporte aux dia\u00adgrammes du tantrisme indo-tib\u00e9tain, l&rsquo;\u00e9p\u00e9e correspond pr\u00e9cis\u00e9ment \u00e0 deux \u00ab Dhy\u00e2ni-Boud\u00addhas \u00bb (= Bouddhas de m\u00e9ditation), et \u00e0 deux types de connaissance et de sagesse-\u00e9nergie, dont la compl\u00e9mentarit\u00e9 est \u00e9vidente : \u00e0 Ami\u00adt\u00e2bha (rayonnement rouge), figurant la connais\u00adsance de perspicacit\u00e9 et la \u00ab sagesse de claire vision discriminante \u00bb, ainsi qu&rsquo;\u00e0 Amoghasiddhi (rayonnement vert), figurant la connaissance r\u00e9alisatrice et la \u00ab sagesse tout-accomplissan\u00adte \u00bb. Volont\u00e9 droite, claire vision, unit\u00e9, puis\u00adsance. En outre, le th\u00e8me de l&rsquo;\u00e9p\u00e9e flamboyante \u2014 celle de Vishnou, par exemple, ou celle d&rsquo;Avalokiteshvara chez les Asuras \u2014 correspond bien \u00e0 la destruction de l&rsquo;ego, \u00e0 la conqu\u00eate de la gnose, et au pouvoir de transmu\u00adtation.<\/span><\/span><\/span><\/span><\/span><\/p>\n<p align=\"justify\"><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"letter-spacing: normal;\">\u2014 <span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\">La coh\u00e9rence op\u00e9rative. Revenons \u00e0 l&rsquo;<\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\">\u00c9<\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\">n\u00e9ide. <\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\">\u00c0<\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\"> la fin de l&rsquo;\u00e9pisode didonien, marqu\u00e9 par la \u00ab tentation de l&rsquo;or et de la femme \u00bb, par les d\u00e9bordements de la psych\u00e9, par la <\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\">passion<\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\"> et la souffrance, <\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\">\u00c9n\u00e9e<\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\"> est pr\u00eat au d\u00e9part, mais il attend encore quelque chose. C&rsquo;est alors qu&rsquo;il est visit\u00e9 \u00ab en songe \u00bb par Mercure, qui lui conf\u00e8re une sorte d&rsquo;illumination et le d\u00e9cide \u00e0 rompre aussit\u00f4t avec cette Carthage de la confusion et de l&rsquo;irr\u00e9alit\u00e9. \u00ab Il arrache au fourreau son \u00e9p\u00e9e de foudre, et frappe les c\u00e2bles du fer nu \u00bb (IV, 579-580), c\u00e2bles qui retenaient sa personne aussi bien que son navire. \u00ab <\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\">\u00c9p\u00e9e<\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\"> de foudre \u00bb, ensis fulmineus, qui r\u00e9capitule les significations pr\u00e9c\u00e9demment ex\u00adpos\u00e9es : s\u00e9paration, lib\u00e9ration, vision claire, spontan\u00e9it\u00e9 cr\u00e9atrice, en insistant sur la transformation effectu\u00e9e \u2014 manifestation du Je divin. Cette \u00e9p\u00e9e fulgurante, en effet, se r\u00e9f\u00e8re au vajra, symbole d&rsquo;infrangibilit\u00e9, de pure lumi\u00e8re, de possession de la R\u00e9alit\u00e9 inalt\u00e9\u00adrable ; elle sugg\u00e8re donc, ici, l&rsquo;efficacit\u00e9 structu\u00adrante, vivificatrice, de la v\u00e9ritable <\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\">\u00c9nergie<\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\"> verticale. <\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\">\u00c9n\u00e9e<\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\"> a soudainement exp\u00e9riment\u00e9 la coh\u00e9rence de son \u00eatre, l&rsquo;alliance humano-di\u00advine, et la s\u00fbret\u00e9 d&rsquo;une force enfin lib\u00e9r\u00e9e. Il se situe d\u00e9sormais dans l&rsquo;axe m\u00eame des courants de Vie et de Lumi\u00e8re ; il est lui-m\u00eame l&rsquo;ensis fulmineus. Une variante int\u00e9ressante de ce motif de l&rsquo;unit\u00e9 op\u00e9rative nous est fournie par l&rsquo;histoire de l&rsquo;\u00e9p\u00e9e bris\u00e9e qu&rsquo;il faut ressouder : comprendre qu&rsquo;il est indispensable de relier la terre \u00e0 l&rsquo;Au-del\u00e0 (les \u00ab deux Royaumes \u00bb, et que seul peut y r\u00e9ussir celui dont la personne m\u00eame constitue ce lien<\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\">)<\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\">. C&rsquo;est le sens de la l\u00e9gende de Siegfried dont l&rsquo;\u00e9p\u00e9e, comme le rapporte Meyrink, \u00ab \u00e9tait bris\u00e9e en deux tron\u00e7ons ; le nain astucieux Alb\u00e9ric ne parvint pas \u00e0 les souder, parce qu&rsquo;il n&rsquo;\u00e9tait qu&rsquo;un ver de terre ; mais Siegfried, lui, l&rsquo;a pu. L&rsquo;\u00e9p\u00e9e de Siegfried est le symbole de cette vie sur deux plans. Comment op\u00e9rer la soudure afin qu&rsquo;ils ne soient plus qu&rsquo;un, \u2014 tel est le secret que doit conna\u00eetre quiconque aspire \u00e0 \u00eatre arm\u00e9 cheva\u00adlier \u00bb <a class=\"sdfootnoteanc\" href=\"#sdfootnote10sym\" name=\"sdfootnote10anc\"><sup>10<\/sup><\/a>.<\/span><\/span><\/span><\/span><\/span><\/p>\n<p align=\"justify\"><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\">\u00c9tant<\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\"> donn\u00e9 que l&rsquo;\u00e9p\u00e9e repr\u00e9sente des forces sup\u00e9rieures, difficiles \u00e0 affronter et \u00e0 manier, susceptibles de foudroyer comme de transfigu\u00adrer, on en arrive au th\u00e8me, tr\u00e8s fr\u00e9quemment \u00e9voqu\u00e9, du danger qu&rsquo;elle fait courir, th\u00e8me qui est d&rsquo;ailleurs li\u00e9 \u00e0 celui de la qualification de l&rsquo;\u00ab op\u00e9rateur \u00bb. Ainsi, dans le cycle du Graal, si bien analys\u00e9 par Julius Evola <a class=\"sdfootnoteanc\" href=\"#sdfootnote11sym\" name=\"sdfootnote11anc\"><sup>11<\/sup><\/a>, on insiste longuement sur les p\u00e9rils relatifs \u00e0 l&rsquo;\u00e9p\u00e9e \u00ab magique \u00bb : mal utilis\u00e9e, par un personnage non pr\u00e9destin\u00e9, non pr\u00e9par\u00e9, elle lui r\u00e9siste, elle se brise et ne peut \u00eatre reconstitu\u00e9e ; elle est cause, pour qui ne sait s&rsquo;en servir correcte\u00adment, de blessure, de catastrophe, de mort m\u00eame. Au contraire, gr\u00e2ce \u00e0 cette \u00e9p\u00e9e \u2014 qu&rsquo;il est capable de saisir, ou de r\u00e9parer, pour une juste utilisation \u2014, le h\u00e9ros qualifi\u00e9 r\u00e9tablit l&rsquo;ordre normal des choses et attire les b\u00e9n\u00e9dic\u00adtions d&rsquo;en haut. Dans ces textes, l&rsquo;\u00e9p\u00e9e com\u00adporte une puissance surnaturelle, sacr\u00e9e, \u00e0 la fois redoutable et indispensable, qui perd ou sauve selon les circonstances : caract\u00e9ristique m\u00eame du Nom divin (cf. <\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\"><i>Le Message retrouv\u00e9<\/i><\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\">, XXVII, 46 b) <a class=\"sdfootnoteanc\" href=\"#sdfootnote12sym\" name=\"sdfootnote12anc\"><sup>12<\/sup><\/a>, comme du Christ. Il y a aussi la compr\u00e9hension \u2014 ou non-compr\u00e9hension \u2014 des vertus secr\u00e8tes de la \u00ab seconde \u00e9p\u00e9e \u00bb, celle qui peut donner acc\u00e8s \u00e0 l&rsquo;essence de l&rsquo;\u00eatre <a class=\"sdfootnoteanc\" href=\"#sdfootnote13sym\" name=\"sdfootnote13anc\"><sup>13<\/sup><\/a> : dans le meilleur cas, elle rend le h\u00e9ros invuln\u00e9rable et l&rsquo;am\u00e8ne \u00e0 \u00ab poser la question \u00bb (Wolfram von Eschenbach), c&rsquo;est-\u00e0-dire \u00e0 s&rsquo;interroger sur sa relation avec le Graal (c&rsquo;est le Mah ? et le Mi ? de la Cabbale : Quoi ? Qui ?) : l&rsquo;\u00e9p\u00e9e se fait alors courant de vie et de lumi\u00e8re, reliant l&rsquo;initi\u00e9 au Divin. Sinon, elle plonge l&rsquo;esprit dans l&rsquo;anxi\u00e9t\u00e9 et la confusion, et ne d\u00e9termine que des \u00e9checs. On mentionnera, dans le m\u00eame ordre d&rsquo;id\u00e9es, un curieux motif symbolique : le passage du pont-\u00e9p\u00e9e, qu&rsquo;on retrouve aussi bien dans les traditions chama\u00adnique et irano-islamique qu&rsquo;au milieu de la l\u00e9gende du Graal : \u00ab Lancelot atteint le ch\u00e2teau de son aventure en passant sur le pont constitu\u00e9 par le fil d&rsquo;une \u00e9p\u00e9e <a class=\"sdfootnoteanc\" href=\"#sdfootnote14sym\" name=\"sdfootnote14anc\"><sup>14<\/sup><\/a>. \u00bb Que signifie ce \u00ab passage dangereux \u00bb (cf. la porte \u00e9troite ?). La difficult\u00e9 de l&rsquo;acc\u00e8s \u00e0 l&rsquo;initiation ou \u00e0 l&rsquo;au-del\u00e0. L&rsquo;\u00e9p\u00e9e y ajoute ses valeurs propres lumi\u00e8re-\u00e9nergie p\u00e9rilleuse, axe subtil unissant le monde ph\u00e9nom\u00e9nal \u00e0 celui des essences, de la sagesse et de la puissance victorieuse. On a pu d\u00e9finir le christianisme comme un chemine\u00adment sur le fil de l&rsquo;\u00e9p\u00e9e : excellente d\u00e9finition ; on aurait pu dire \u00e9galement : un voyage sur le fil du Nom divin.<\/span><\/span><\/span><\/span><\/span><\/p>\n<p align=\"justify\"><b><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\">L&rsquo;\u00e9p\u00e9e comme symbole de l&rsquo;\u00eatre essentiel ou parfait<\/span><\/span><\/span><\/span><\/span><\/b><\/p>\n<p align=\"justify\"><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\">Partons d&rsquo;un t\u00e9moignage que nous lisons dans le Visage du Silence concernant le contenu m\u00eame de l&rsquo;illumination <a class=\"sdfootnoteanc\" href=\"#sdfootnote15sym\" name=\"sdfootnote15anc\"><sup>15<\/sup><\/a> : \u00ab L&rsquo;Univers entier est baign\u00e9 de clart\u00e9 ; toutes choses \u2014 depuis la poussi\u00e8re du chemin jusqu&rsquo;au vol de l&rsquo;oiseau \u2014 ont rejet\u00e9 leur v\u00eatement d&rsquo;apparence, et se montrent \u00e0 nu, tels des glaives de lumi\u00e8re. Les choses ne sont plus des choses, car elles <\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\">sont <\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\">devenues Essence. \u00bb Cette exp\u00e9rience de la nature r\u00e9elle de tout ce qui existe nous ram\u00e8ne \u00e0 des id\u00e9es d\u00e9j\u00e0 \u00e9voqu\u00e9es : dissociation des mixtes, lib\u00e9ration de l&rsquo;opacit\u00e9 et de l&rsquo;illusion, vie ardente orient\u00e9e, ax\u00e9e sur le Divin, vigou\u00adreuse coh\u00e9rence du Feu-Lumi\u00e8re ; en outre, se manifeste cette conception si ch\u00e8re \u00e0 R\u00e2ma\u00adkrishna comme aux soufis, selon laquelle chaque \u00eatre dans l&rsquo;univers est une irradiation (cf. at-tajall\u00ee) d&rsquo;un Nom divin. Tel est vraiment le cosmos pour qui sait voir : un champ infini de \u00ab glaives de lumi\u00e8re \u00bb tournoyants, innom\u00adbrables r\u00e9pliques, luxuriantes ic\u00f4nes du T\u00e9tra\u00adgramme-<\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\">\u00c9p\u00e9e.<\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\"> S&rsquo;agissant de l&rsquo;\u00eatre humain, l&rsquo;image atteint son plus haut degr\u00e9 d&rsquo;exactitude, comme le prouve le livre d&rsquo;A. de Souzenelle indiqu\u00e9 ci-dessus, <\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\"><i>De l&rsquo;Arbre de Vie au sch\u00e9ma corporel, ou le symbolisme du corps humain<\/i><\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\"> sans oublier le \u00ab signe de la croix \u00bb qui, \u00e9sot\u00e9ri\u00adquement, rappelle ce que nous sommes et a pour fonction de r\u00e9veiller en nous le <\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\">Nom-\u00c9p\u00e9e.<\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\"> Chez l&rsquo;homme ordinaire, chez l&rsquo;\u00eatre inachev\u00e9, les diff\u00e9rents centres d&rsquo;\u00e9nergie \u2014 au lieu d&rsquo;\u00eatre harmonis\u00e9s \u2014 se trouvent r\u00e9partis sans coh\u00e9rence particuli\u00e8re tout au long d&rsquo;un fil fort mince, qu&rsquo;on peut d\u00e9signer comme \u00ab corde des vies \u00bb. Mal contr\u00f4l\u00e9s, mal d\u00e9velopp\u00e9s, s\u00e9par\u00e9s les uns des autres par des zones obscures ou communiquant n&rsquo;importe co<\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\">m<\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\">ment, ces centres \u2014 ou \u00ab plexus \u00bb, ou \u00ab sph\u00e8res \u00bb \u2014 sont des lieux d&rsquo;interf\u00e9rences, de brouillages, des \u00e9l\u00e9ments non fonctionnels dans une s\u00e9rie anarchique. Au contraire, chez l&rsquo;Homme parfait, tous ces centres, exactement d\u00e9velopp\u00e9s et reli\u00e9s, constituent une unit\u00e9 \u00e9nerg\u00e9tique sans faille ; ils se sont fondus en un \u00e9clair infrangible et perp\u00e9tuel. La corde des vies s&rsquo;est transform\u00e9e en une \u00e9p\u00e9e, d&rsquo;un seul m\u00e9tal, d&rsquo;une seule lumi\u00e8re, d&rsquo;une seule efficacit\u00e9 : l&rsquo;\u00e9p\u00e9e prof\u00e9r\u00e9e par le Verbe artiste. Tel est le Grand <\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\">\u0152uvre<\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\"> propos\u00e9 \u00e0 l&rsquo;homme, telle est la voie p\u00e9rilleuse et n\u00e9cessaire de son accomplissement. C&rsquo;est ce qu&rsquo;a voulu montrer Virgile \u00e0 la fin du livre IV de son En\u00e9ide, en parlant de l&rsquo;\u00ab \u00e9p\u00e9e de foudre \u00bb. En effet, ce n&rsquo;est pas seulement l&rsquo;inspiration que Mercure va commu\u00adniquer au h\u00e9ros, mais bien plut\u00f4t l&rsquo;\u00e9nergie fulgurante, qui, en se cristallisant instantan\u00e9\u00adment dans son <\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\">C\u0153ur<\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\">, soudera l&rsquo;unit\u00e9 de son \u00eatre, en assurera le flamboiement vertical, et d\u00e9terminera cette rigueur dans l&rsquo;action dont seuls sont capables les \u00e9volu\u00e9s. Cet ensis fulmi\u00adneus, on l&rsquo;a vu, c&rsquo;est <\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\">\u00c9n\u00e9e<\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\"> lui-m\u00eame, sortant de sa gangue psycho-somatique pour acc\u00e9der \u00e0 la condition sup\u00e9rieure de \u00ab porteur de foudre \u00bb (vajradhara : d\u00e9nomination tantrique de l&rsquo;homme unifi\u00e9). Le voil\u00e0 donc transmu\u00e9 par l&rsquo;\u00e9veil de son propre \u00ab corps de diamant-foudre \u00bb \u2014 ou Vajrak\u00e2ya, autre expression tantrique \u2014, qui met en communication, sans plus d&rsquo;obstacles, les plans lumineux de son \u00eatre, corps-\u00e9p\u00e9e par l&rsquo;\u00e9clat de sa coh\u00e9rence et la rapidit\u00e9 de son agir.<\/span><\/span><\/span><\/span><\/span><\/p>\n<p align=\"justify\"><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\">Si nous passons du \u00ab tantrisme \u00bb romain au tao\u00efsme, nous d\u00e9couvrons un th\u00e8me analogue, que Gustav Meyrink a d\u00e9velopp\u00e9 dans son roman initiatique <\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\"><i>Le Dominicain blanc<\/i><\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\">, <\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\"><i>Extrait du Journal d&rsquo;un Invisible<\/i><\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\"> <a class=\"sdfootnoteanc\" href=\"#sdfootnote16sym\" name=\"sdfootnote16anc\"><sup>16<\/sup><\/a>. Il s&rsquo;agit l\u00e0 d&rsquo;un processus alchimique extr\u00eame-oriental, qui est la \u00ab dissolution du corps \u00bb et sa transformation, par l&rsquo;\u00ab \u00e9p\u00e9e \u00bb, en \u00ab \u00e9p\u00e9e \u00bb ; processus qui s&rsquo;effectue pendant la vie pour franchir victo\u00adrieusement le seuil de la mort. Que signifie alors l&rsquo;\u00e9p\u00e9e ? La conqu\u00eate de l&rsquo;immortalit\u00e9 par l&rsquo;int\u00e9gration de ce Rayon de lumi\u00e8re supraphysique capable de vivifier \u2014 ou de d\u00e9sagr\u00e9ger \u2014 toutes choses, la perfection du corps subtil coh\u00e9rent, la puissance unifi\u00e9e, \u00ab magi\u00adque \u00bb, de l&rsquo;Homme v\u00e9ritablement accompli. Le h\u00e9ros du roman, tel un fr\u00e8re <\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\">d\u2019\u00c9n\u00e9e<\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\">, devient un Homme-<\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\">\u00c9<\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\">p\u00e9e pr\u00e9sent \u00e0 la fois dans le visible et dans l&rsquo;invisible. Voici les derni\u00e8res paroles de Christophe Colombier (nom \u00e0 clefs) : \u00ab En moi est consum\u00e9 ce qui \u00e9tait corruptible, chang\u00e9 par la \u00ab\u00a0mort\u00a0\u00bb en flamme de vie. Je suis debout, rev\u00eatu de la pourpre de la tunique de feu, ceint de l&rsquo;\u00e9p\u00e9e d&rsquo;h\u00e9matite. D\u00e9livr\u00e9 \u00e0 jamais par la dissolution du \u00ab\u00a0cadavre\u00a0\u00bb avec l&rsquo;\u00e9p\u00e9e \u00bb (p. 229). Mort \u00e9quivaut \u00e0 transmutation ; la flamme rappelle l&rsquo;\u00e9p\u00e9e ch\u00e9rubinique et le \u00ab Moine flamboyant \u00bb ; pourpre et h\u00e9matite font penser au cinabre, au soufre rouge (de l&rsquo;\u00e9sot\u00e9risme musulman), au ph\u00e9nix, \u00e0 <\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\">l\u2019\u0153uvre<\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\"> au rouge, ou au Dhy\u00e2ni-Bouddha Amit\u00e2bha (voir supra). Quant \u00e0 l&rsquo;\u00e9p\u00e9e, elle n&rsquo;est autre que le h\u00e9ros en personne, comme en t\u00e9moigne tout le contexte. Pour arriver \u00e0 ce r\u00e9sultat, il faut : d\u00e9ployer en une parfaite unit\u00e9 les principes masculin et f\u00e9minin, retenir en soi le \u00ab souffle \u00bb \u2014 ou la Lumi\u00e8re-<\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\">\u00c9<\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\">nergie \u2014 qui permet une totale r\u00e9g\u00e9n\u00e9ration de l&rsquo;\u00eatre, s&rsquo;identifier \u00e0 l&rsquo;axe Ciel-Terre et P\u00e8re-Fils, et se concentrer sur la coh\u00e9rence dynamique du Je essentiel.<\/span><\/span><\/span><\/span><\/span><\/p>\n<p align=\"justify\"><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\">L&rsquo;Homme-<\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\">\u00c9<\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\">p\u00e9e n&rsquo;est pas la seule expression de l&rsquo;Homme universel. Conform\u00e9ment aux symboles du Tarot, il faut envisager aussi l&rsquo;Homme-B\u00e2ton (cf. l<\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\"><i>es Anges de la Trinit\u00e9<\/i><\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\"> de Roublev), l&rsquo;Homme-Denier (ou iconique), et l&rsquo;Homme-Coupe (important \u00e0 notre \u00e9poque du Verseau, puisqu&rsquo;il re\u00e7oit et r\u00e9pand les \u00ab ondes de feu \u00bb). Mais c&rsquo;est certainement le premier qui, par son assimilation au Nom divin, par sa verticalit\u00e9 flamboyante, par son invuln\u00e9rabilit\u00e9, par sa spontan\u00e9it\u00e9 \u00ab seconde \u00bb et sa sagesse op\u00e9rative, est le plus propre \u00e0 donner son o. Orient \u00bb \u00e0 l&rsquo;aventure humaine.<\/span><\/span><\/span><\/span><\/span><\/p>\n<p align=\"justify\"><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\"><b>BIBLIOGRAPHIE SUR <\/b><\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\"><b>L\u2019\u00c9P\u00c9E<\/b><\/span><\/span><\/span><\/span><\/span><\/p>\n<p align=\"justify\"><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\">Paul Claudel, <\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\"><i>L&rsquo;\u00e9p\u00e9e et le miroir<\/i><\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\">, Gallimard, 1939. <\/span><\/span><\/span><\/span><\/span><\/p>\n<p align=\"justify\"><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\">Ananda K. Coomarswamy, \u00ab <\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\"><i>Le symbolisme de l&rsquo;\u00e9p\u00e9e<\/i><\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\"> \u00bb dans <\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\">\u00c9tudes<\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\"> Traditionnelles, janv. 1938.<\/span><\/span><\/span><\/span><\/span><\/p>\n<p align=\"justify\"><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\">Gilbert Durand, <\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\"><i>Les structures anthropologiques de l&rsquo;imaginaire<\/i><\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\">, 3<\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\">e<\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\"> \u00e9dition, Bordas, 1969, Index s.v. <\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\">\u00c9p\u00e9e<\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\"> et Glaive.<\/span><\/span><\/span><\/span><\/span><\/p>\n<p align=\"justify\"><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\">Julius Evola, <\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\"><i>Le myst\u00e8re du Graal<\/i><\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\">, tr. fr. , <\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\">\u00c9ditions<\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\"> Traditionnelles, 1967.<\/span><\/span><\/span><\/span><\/span><\/p>\n<p align=\"justify\"><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\">Ren\u00e9 Gu\u00e9non, <\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\"><i>Symboles fondamentaux de la Science sacr\u00e9e<\/i><\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\">, Gallimard, 1962 ; en parti<\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\">c<\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\">., l&rsquo;article \u00ab Sayful\u00ad-Islam \u00bb, pp. 197-201, sur la symbolique de l&rsquo;\u00e9p\u00e9e dans l&rsquo;islamisme et dans la Tradition.<\/span><\/span><\/span><\/span><\/span><\/p>\n<p align=\"justify\"><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\">Gustave Meyrink, <\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\"><i>Le Dominicain blanc<\/i><\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\">, pr\u00e9face de Geard Heym, tr. fr., La Colombe, 1963.<\/span><\/span><\/span><\/span><\/span><\/p>\n<p align=\"justify\"><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\">Annick de Souzenelle, <\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\"><i>De l&rsquo;Arbre de Vie au sch\u00e9ma corporel, ou le symbolisme du corps humain<\/i><\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\">, Robert Dumas, 1975, nouvelle \u00e9dition chez Dangles.<\/span><\/span><\/span><\/span><\/span><\/p>\n<p align=\"justify\"><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\">Pour l&rsquo;explication \u00e9nerg\u00e9tique des symboles en g\u00e9n\u00e9ral, voir :<\/span><\/span><\/span><\/span><\/span><\/p>\n<p align=\"justify\"><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\">Fereydoun Farrokh, <\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\"><i>Symbolisme de l&rsquo;orientation, ou La loi de circulation de l&rsquo;\u00e9nergie vitale<\/i><\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\">, coll. \u00ab Le soleil dans le c\u0153ur \u00bb 20, \u00c9ditions Pr\u00e9sence, 1981.<\/span><\/span><\/span><\/span><\/span><\/p>\n<p align=\"justify\">_____________________________________________________________________<\/p>\n<div id=\"sdfootnote1\">\n<p class=\"sdfootnote\"><a class=\"sdfootnotesym\" href=\"#sdfootnote1anc\" name=\"sdfootnote1sym\">1<\/a> <span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\">Voir Epign\u00f4sis, II, 1, 1983, p. 14 sq.<\/span><\/span><\/span><\/span><\/span><\/p>\n<\/div>\n<div id=\"sdfootnote2\">\n<p class=\"sdfootnote\"><a class=\"sdfootnotesym\" href=\"#sdfootnote2anc\" name=\"sdfootnote2sym\">2<\/a> <span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\">Cf. <a href=\"http:\/\/www.revue3emillenaire.com\/blog\/pour-une-anthropologie-globale-et-operative-par-yves-albert-dauge\/\" target=\"_blank\">Epign\u00f4sis<\/a>, I, 1, 1983, p. 22.<\/span><\/span><\/span><\/span><\/span><\/p>\n<\/div>\n<div id=\"sdfootnote3\">\n<p class=\"sdfootnote\"><a class=\"sdfootnotesym\" href=\"#sdfootnote3anc\" name=\"sdfootnote3sym\">3<\/a> <span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\">Cit\u00e9 in Jean Bi\u00e8s, <\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\"><i>Athos<\/i><\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\">, Dervy-Livres, 1980, p. 236.<\/span><\/span><\/span><\/span><\/span><\/p>\n<\/div>\n<div id=\"sdfootnote4\">\n<p class=\"sdfootnote\"><a class=\"sdfootnotesym\" href=\"#sdfootnote4anc\" name=\"sdfootnote4sym\">4<\/a> <span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\">J. Evola, <\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\"><i>Le myst\u00e8re du Graal<\/i><\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\">, bibliogr., pp. 125, 134.<\/span><\/span><\/span><\/span><\/span><\/p>\n<\/div>\n<div id=\"sdfootnote5\">\n<p class=\"sdfootnote\"><a class=\"sdfootnotesym\" href=\"#sdfootnote5anc\" name=\"sdfootnote5sym\">5<\/a> <span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\">Cf. Lama A. Govinda, <\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\"><i>Les fondements de la mystique tib\u00e9taine<\/i><\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\">, p. 264.<\/span><\/span><\/span><\/span><\/span><\/p>\n<\/div>\n<div id=\"sdfootnote6\">\n<p class=\"sdfootnote\" align=\"justify\"><a class=\"sdfootnotesym\" href=\"#sdfootnote6anc\" name=\"sdfootnote6sym\">6<\/a> <span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\">Voir Ren\u00e9 Alleau, <\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\"><i>\u00c9nigmes<\/i><\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\"><i> et symboles du Mont-Saint-Michel<\/i><\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\">, Julliard, 1970, pp. 202-204.<\/span><\/span><\/span><\/span><\/span><\/p>\n<\/div>\n<div id=\"sdfootnote7\">\n<p class=\"sdfootnote\" align=\"justify\"><a class=\"sdfootnotesym\" href=\"#sdfootnote7anc\" name=\"sdfootnote7sym\">7<\/a> <span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\">Voir E. Canseliet, <\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\"><i>L&rsquo;Alchimie expliqu\u00e9e sur ses textes classiques<\/i><\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\">, J.-J. Pauvert, 1972, hors texte XXII, pp. 235\u00ad-236.<\/span><\/span><\/span><\/span><\/span><\/p>\n<\/div>\n<div id=\"sdfootnote8\">\n<p class=\"sdfootnote\"><a class=\"sdfootnotesym\" href=\"#sdfootnote8anc\" name=\"sdfootnote8sym\">8<\/a> <span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\"><i>Hindouisme et Bouddhisme<\/i><\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\">, Gallimard, 1949, p. 111.<\/span><\/span><\/span><\/span><\/span><\/p>\n<\/div>\n<div id=\"sdfootnote9\">\n<p class=\"sdfootnote\"><a class=\"sdfootnotesym\" href=\"#sdfootnote9anc\" name=\"sdfootnote9sym\">9<\/a> <span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\">Cf. Julius Evola, <\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\"><i>La doctrine de <\/i><\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\"><i>l\u2019\u00c9veil<\/i><\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\">, tr. fr. , Adyar, 1956, p. 201.<\/span><\/span><\/span><\/span><\/span><\/p>\n<\/div>\n<div id=\"sdfootnote10\">\n<p class=\"sdfootnote\"><a class=\"sdfootnotesym\" href=\"#sdfootnote10anc\" name=\"sdfootnote10sym\">10<\/a> <span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\"><i>Le Dominicain blanc<\/i><\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\">, p. 70.<\/span><\/span><\/span><\/span><\/span><\/p>\n<\/div>\n<div id=\"sdfootnote11\">\n<p class=\"sdfootnote\"><a class=\"sdfootnotesym\" href=\"#sdfootnote11anc\" name=\"sdfootnote11sym\">11<\/a> <span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\"><i>Le Myst\u00e8re du Graal<\/i><\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\">, p 134 sq.<\/span><\/span><\/span><\/span><\/span><\/p>\n<\/div>\n<div id=\"sdfootnote12\">\n<p class=\"sdfootnote\" align=\"justify\"><a class=\"sdfootnotesym\" href=\"#sdfootnote12anc\" name=\"sdfootnote12sym\">12<\/a> <span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\">\u00ab Le m\u00eame NOM peut produire la vie ou peut faire para\u00eetre la mort selon la fa\u00e7on dont il se pr\u00e9sente \u00e0 nous, et aussi selon la fa\u00e7on dont nous nous pr\u00e9sentons \u00e0 lui. \u00bb<\/span><\/span><\/span><\/span><\/span><\/p>\n<\/div>\n<div id=\"sdfootnote13\">\n<p class=\"sdfootnote\"><a class=\"sdfootnotesym\" href=\"#sdfootnote13anc\" name=\"sdfootnote13sym\">13<\/a> <span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\">J. Evola, <\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\"><i>Le myst\u00e8re du Graal<\/i><\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\">, p. 173.<\/span><\/span><\/span><\/span><\/span><\/p>\n<\/div>\n<div id=\"sdfootnote14\">\n<p class=\"sdfootnote\" align=\"justify\"><a class=\"sdfootnotesym\" href=\"#sdfootnote14anc\" name=\"sdfootnote14sym\">14<\/a> <span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\">Ibidem, p. 155. Cf. Mircea Eliade, <\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\"><i>Le Chamanisme<\/i><\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\">, 2<\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\">e<\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\"> \u00e9dition, Payot, 1968, p. 377.<\/span><\/span><\/span><\/span><\/span><\/p>\n<\/div>\n<div id=\"sdfootnote15\">\n<p class=\"sdfootnote\" align=\"justify\"><a class=\"sdfootnotesym\" href=\"#sdfootnote15anc\" name=\"sdfootnote15sym\">15<\/a> <span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\">Ouvrage de Dhan-Gopal Mukerji, tr. fr., <\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\">\u00c9ditions<\/span><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\"> V. Attinger, 1932, pp. 176-7.<\/span><\/span><\/span><\/span><\/span><\/p>\n<\/div>\n<div id=\"sdfootnote16\">\n<p class=\"sdfootnote\" align=\"justify\"><a class=\"sdfootnotesym\" href=\"#sdfootnote16anc\" name=\"sdfootnote16sym\">16<\/a> <span style=\"color: #000000;\"><span style=\"text-decoration: none;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><span style=\"letter-spacing: normal;\"><span lang=\"fr-FR\">Voir bibliogr. \u2014 La pr\u00e9face de G\u00e9rard Heym est reprise dans le Cahier de l&rsquo;Herne 30, 1976, consacr\u00e9 \u00e0 Meyrink, pp. 161-169. \u2014 Consulter, dans l&rsquo;\u00e9dition de r\u00e9f\u00e9rence, les pp. 15 (Heym), 85, 130, 192 sq., 222, 224 sq.<\/span><\/span><\/span><\/span><\/span><\/span><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>\u00c0 Premi\u00e8re vue, contrairement au symbolisme du feu ou du serpent, celui de l&rsquo;\u00e9p\u00e9e para\u00eet simple et de peu d&rsquo;envergure : signification guerri\u00e8re, s\u00e9paratrice, dia\u00efr\u00e9tique, axiale. Cependant, replac\u00e9 dans une th\u00e9orie g\u00e9n\u00e9rale de la circulation des \u00c9nergies, et gr\u00e2ce \u00e0 l&rsquo;apport de la tradition juda\u00efque et chr\u00e9tienne, ce symbole r\u00e9v\u00e8le une grande richesse et une utilit\u00e9 indubitable. L&rsquo;\u00e9p\u00e9e repr\u00e9sente la quaternit\u00e9 coh\u00e9rente, orient\u00e9e, flamboyante et op\u00e9rative ; elle compl\u00e8te tout naturellement nos trois \u00e9tudes pr\u00e9c\u00e9dentes.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[810],"tags":[1277,127],"class_list":["post-16323","post","type-post","status-publish","format-standard","hentry","category-yves-albert-dauge","tag-epee","tag-symbolisme"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.0 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Les clefs des symboles : L&#039;\u00c9p\u00e9e ou la coh\u00e9rence op\u00e9rative de l&#039;\u00e9nergie par Yves-Albert Dauge - 3e mill\u00e9naire - Spiritualit\u00e9 - Connaissance de soi - Non-dualit\u00e9 - M\u00e9ditation<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.revue3emillenaire.com\/blog\/les-clefs-des-symboles-lepee-ou-la-coherence-operative-de-lenergie-par-yves-albert-dauge\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Les clefs des symboles : L&#039;\u00c9p\u00e9e ou la coh\u00e9rence op\u00e9rative de l&#039;\u00e9nergie par Yves-Albert Dauge - 3e mill\u00e9naire - Spiritualit\u00e9 - Connaissance de soi - Non-dualit\u00e9 - M\u00e9ditation\" \/>\n<meta property=\"og:description\" content=\"\u00c0 Premi\u00e8re vue, contrairement au symbolisme du feu ou du serpent, celui de l&#039;\u00e9p\u00e9e para\u00eet simple et de peu d&#039;envergure : signification guerri\u00e8re, s\u00e9paratrice, dia\u00efr\u00e9tique, axiale. 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L&#039;\u00e9p\u00e9e repr\u00e9sente la quaternit\u00e9 coh\u00e9rente, orient\u00e9e, flamboyante et op\u00e9rative ; elle compl\u00e8te tout naturellement nos trois \u00e9tudes pr\u00e9c\u00e9dentes.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.revue3emillenaire.com\/blog\/les-clefs-des-symboles-lepee-ou-la-coherence-operative-de-lenergie-par-yves-albert-dauge\/\" \/>\n<meta property=\"og:site_name\" content=\"3e mill\u00e9naire - Spiritualit\u00e9 - Connaissance de soi - Non-dualit\u00e9 - M\u00e9ditation\" \/>\n<meta property=\"article:published_time\" content=\"2014-09-20T12:09:53+00:00\" \/>\n<meta property=\"og:image\" content=\"http:\/\/www.revue3emillenaire.com\/blog\/wp-content\/uploads\/2014\/09\/\u00c9p\u00e9e1.jpg\" \/>\n<meta name=\"author\" content=\"3e mill\u00e9naire\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"\u00c9crit par\" \/>\n\t<meta name=\"twitter:data1\" content=\"3e mill\u00e9naire\" \/>\n\t<meta name=\"twitter:label2\" content=\"Dur\u00e9e de lecture estim\u00e9e\" \/>\n\t<meta name=\"twitter:data2\" content=\"25 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/www.revue3emillenaire.com\/blog\/les-clefs-des-symboles-lepee-ou-la-coherence-operative-de-lenergie-par-yves-albert-dauge\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/www.revue3emillenaire.com\/blog\/les-clefs-des-symboles-lepee-ou-la-coherence-operative-de-lenergie-par-yves-albert-dauge\/\"},\"author\":{\"name\":\"3e mill\u00e9naire\",\"@id\":\"https:\/\/www.revue3emillenaire.com\/blog\/#\/schema\/person\/9a3a7cc4ccaa707f402d4394327106d5\"},\"headline\":\"Les clefs des symboles : L&rsquo;\u00c9p\u00e9e ou la coh\u00e9rence op\u00e9rative de l&rsquo;\u00e9nergie par Yves-Albert Dauge\",\"datePublished\":\"2014-09-20T12:09:53+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/www.revue3emillenaire.com\/blog\/les-clefs-des-symboles-lepee-ou-la-coherence-operative-de-lenergie-par-yves-albert-dauge\/\"},\"wordCount\":4959,\"keywords\":[\"\u00c9p\u00e9e\",\"symbolisme\"],\"articleSection\":[\"Dauge Yves-Albert\"],\"inLanguage\":\"fr-FR\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.revue3emillenaire.com\/blog\/les-clefs-des-symboles-lepee-ou-la-coherence-operative-de-lenergie-par-yves-albert-dauge\/\",\"url\":\"https:\/\/www.revue3emillenaire.com\/blog\/les-clefs-des-symboles-lepee-ou-la-coherence-operative-de-lenergie-par-yves-albert-dauge\/\",\"name\":\"Les clefs des symboles : L'\u00c9p\u00e9e ou la coh\u00e9rence op\u00e9rative de l'\u00e9nergie par Yves-Albert Dauge - 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